On the heels of Ed Hoch's death this past week comes news that award-winning author Benjamin Schutz has died suddenly from a heart attack. Schutz was the author of the acclaimed psychological thriller, The Mongol Reply and a forensic psychologist who lived in the Northern Virginia suburbs of Washington, D.C., making him a neighbor of sorts.
In light of yesterday's blog entry about awards, it's only fitting to make note of the fact that Schutz was nominated for four Shamus Awards--Best First P.I. Novel Embrace the Wolf (1986), Best P.I. Hardcover A Tax in Blood (1988) and A Fistful of Empty (1992), winning in 1988, and also his short story "Mary, Mary Shut the Door" debuting his protagonist Leo Haggerty (1993). He won an Edgar Award for the short story that same year, which he included in an anthology of his stories in 2005.
The Thrilling Detective site has an archived interview from Rara Avis with Schutz , in which he talks about his Leo Haggerty series. In it he said:
"After writing the Haggerty books, I switched to writing short stories. I have no plans to return to Leo Haggerty. Short stories have provided me with a way to explore narrative options and genre types that I hadn't tried before. Both of my sons worked as private eyes for a couple of years during college. I saw ways to explore old issues from a new perspective and entirely new issues as I watched two middle class suburban youths encounter the meaner streets. I started with a short story based on their experiences and hope to do a novel using Sean and Matt Ellis.
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Being a psychologist and writing detective fiction are two sides of the same coin. Only the mysteries change. In the therapy hour, it's 'Why do I do these self-destructive things?' In the forensic arena it's 'Do we accept the pedophile's claim that there are no other victims?' Being a therapist teaches a great respect for the power of language. The right words at the right time can heal people. It's not a big jump to the power of the written word and it's ability to enthrall.
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As a forensic investigator you learn that the devil and everyone else is in the details. Building a case is often described as the process of piling up a big wall of small facts and then pushing them over on someone. That approach helps immeasurably with plotting. Being a therapist and a forensic investigator gives you first-hand experience with the lies and evasions people use to avoid confronting the truth about themselves. That's enormously useful in understanding how to peel back the layers of motivation as you develop character. Finally, being a therapist reminds you that living people always escape the trap of our theories, are always surprising us and that our fictional characters should do the same if they are truly alive."