Forgotten Friday and Some First Cases

Before they were stars, everyone's favorite literary private eyes had to start somewhere. Many jumped to life fully-formed in novels, but others began their lives in short stories. Robert Randisi, a lifelong champion of P.I. fiction and founder of the Private Eye Writers of America (PWA), in addition to being an author himself, put together a collection of First Cases: First Appearances of Classic Private Eyes in 1996. Fortunately, that volume was successful enough that Randisi was able to compile three additional collections, the last in 2002.

The 1996 volume (and the one that started it all) includes stories in which now-beloved protagonists first saw the light of day, such as Bill Pronzini’s Nameless Detective in "It’s  a Lousy World," first published in Alfred Hitchcock Mystery Magazine in 1968; Joe Gores's Dan Kearny and company in "File #1: The Mayfield Case," printed in Ellery Queen’s Mystery Magazine in 1968 (a banner year, it seems); Linda Barnes's Carlotta Carlyle in "Lucky Penny," published in New Black Mask in 1986; and Robert Randisi's own ex-boxer Miles Jacoby in "The Steinway Collection," first published in Mystery Monthly in 1977.

Other entries are the first short story appearances of detectives who had already made a splash in a novel, such as Lawrence Block's Matthew Scudder in "Out of the Window,"  Sara Paretsky' V.I. Warshawski  in "The Takamoku Joseki," and Max Allan Collins's Nathan Heller in "The Strawberry Teardrop," all three of which were published just barely one year after each character’s debut novel.

Most of these authors and their detectives went on to win major awards, including several Shamus nods--awards Randisi initiated as part of the PWA. In this book and the following volumes, the stories and characters include hard-boiled and soft-boiled, covering a range of settings (Block's Manhattan, Jeremiah Healy's Boston, Gores's San Francisco), but the most interesting aspect, as Randisi says, "It's interesting to go back and read an early story about a series character. In some cases the character you meet is very different from the character as he or she appears in later stories." In some cases, these include a switch of POVs from third to first, or major life changes as with Block's pre-AA Scudder who still drinks bourbon with his coffee.

These collections should be both inspiration and caveat to contemporary writers of crime fiction short stories. If you're fortunate enough to produce a long-lived private eye series after having auditioned the character first in the short format, you might just wind up in a future Randisi anthology. So make it good and make it count.

Comments

[Patti Abbott]

Thanks, Bonnie. Looks like fun.

[Bob Randisi]

Bonnie, many thanks for the kind words about the First cases books. Much appreciated.

RJR

[BV Lawson]

It is I who should be thanking you, Bob, for all the work you've done in the crime fiction community as author and supporter. I'm particularly grateful for your support of short stories in the many anthologies you've edited and your focus on PI fiction. FYI, for those of you interested in writing private eyes, check out Bob's book "Writing The Private Eye Novel."

[Mike Dennis]

Bonnie--
Good job in reminding us all about Bob Randisi's great work in this area.
--Mike Dennis
Las Vegas