Stefan Kanfer joins In Reference to Murder today to take a little "Author R&R" (Reference and Research). Stefan is the author of fifteen books, including the bestselling
biographies of show business icons: Groucho; Ball of Fire (Lucille
Ball); Somebody (Marlon Brando); and Tough Without a Gun (Humphrey
Bogart). He's also written many social histories, among them The Last Empire, about the De Beers diamond company, and Stardust Lost, an
account of the rise and fall of the Yiddish Theater in New York.
Stefan penned two novels about World War II and served as the only
journalist on the President's Commission on the Holocaust. He was the
first by-lined cinema critic for Time magazine, where he worked
as writer and editor for more than two decades. He has received many
writing awards and was named a Literary Lion of the New York Public
Library. He lives in New York where he serves as a columnist for the City Journal of the Manhattan Institute.
Stefan's new thriller The Eskimo Hunts in New York follows Jordan Gulok, an Inuit (an Eskimo in common parlance), and a former Navy SEAL. In
his freelance capacity, he can do things that are beyond the authority of the uniformed
services—like tracking and "dispatching" malefactors. Jordan has an expense account and liberty to travel throughout
the U.S. In turn, the U.S. government has plausible deniability should
he ever get caught stretching or violating the law. The book finds Gulok in New York as he tries to stop a lethal international group manufacturing toxic pharmaceuticals and selling
them to victims in Africa, Asia, Europe and America.
Stefan sent along some thoughts on the research process:
Research
is—or should be—as integral to fiction as to nonfiction. There are many
exemplars to cite. Think of James Joyce holed up in Paris or Trieste,
sending for maps of Dublin so that he could get every street right as he
recalled the sounds of O’Connell Bridge and smells of the pubs around
the River Liffey for Ulysses. Or Marcel Proust, driven around
Paris at night because he was too allergic to go out during the day,
noting the colors and aromas of flowers in the parks, and the half-high
chatter of people leaving parties, meticulously set down in Remembrance of Things Past. Or
Mark Twain, or Graham Greene or Somerset Maugham in foreign locales,
noting everything down for later use...the list is truly endless.
Writing thrillers demands no less of a writer. The protagonist of The Eskimo Hunts in New York is
an Inuit, and I had to do many interviews with tribal people to get him
right. (I also steeped like a teabag in the libraries of Manhattan to
make certain I had the correct locales, even though I was born in the
City and have lived in and around it most of my life.)
Of
course, fiction without imagination is a dry affair—a matter of
reportage with a change of names. We all know political novels like
that, whose pages break in the hand when they’re read a year later. On
the other hand, imagination without research is like constructing a
castle without an architectural plan—the first strong wind will knock it
over. My hope is that I’ve achieved a balance between fancy and
authenticity in Eskimo; the readers, however, are the only proper judges of that.
—Stefan Kanfer
Check out an excerpt from The Eskimo Hunts in New York, and follow Stefan via his website, on Facebook or Twitter.