The Edgar Awards for 2020 were just announced yesterday by the Mystery Writers of America. So it seems fitting to profile an anthology from 1980, The Edgar Winners, the 33rd Annual Anthology of the Mystery Writers of America. It was edited by Bill Pronzini, who noted in his introduction that this anthology is:
"The first anthology to bring together in one volume only those stories that have received the coveted Edgar as the Best Mystery Short Story of its year....These twenty-four stories include some of the finest mystery fiction to be published in the past four decades. Moreover, they represent the widest possible variety of types, themes, styles and authors—testimony to the fact that the mystery story, contrary to what certain critics would have us believe, is by no means a limited and hidebound genre."
A little history is in order, too, as the first two years of the Edgar Award for the short story were given for bodies of work; the third went to Ellery Queen's Mytery Magazine; and the next four were given to one-volume single-author collections. The current policy of honoring a single story didn't begin until 1954, and thus, Pronzini chose representative stories from the pre-1954 categories to be included here.
The stories are printed chronologically, from 1947's "The Adventure of the Mad Tea Party," by Ellery Queen (Frederic Dannay and Manford Bennington Lee), up through "The Cloud Beneath the Eave" by Barbara Owens, the winner from 1978. Other names are indeed a "Who's Who" of giants in crime fiction, short or long forms, including William Irish (a/k/a Cornell Woolrich), Lawrence G. Blochman, Philip MacDonald, Roadl Dahl, Stanley Ellin, Edward D. Hoch, Joe Gores and Robert L. Fish. On the other hand, it's interesting to see how many of the winning stories were penned by authors who, for whatever reason, never went on to widespread name recognition, like William O'Farrell, David Ely, Warner Law, Margery Finn Brown.
The themes and styles Pronzini alluded to above range from detective stories to psychological suspense, police procedurals, character studies, morality plays, social commentaries, and "gently nostalgic glimpses of the past, even what might be termed an avant-garde literary exercise." If you're looking for a book than provides an overview of the best writing in a variety of short mystery fiction sub-genres, then this is a good place to start.
As a reminder and nod to the latest possibilities for inclusion in a future Edgar-winning anthology, here are this year's nominated stories:
- "Turistas," from Paque Tu Lo Sepas by Hector Acosta (Down & Out Books)
- "One of These Nights," from Cutting Edge: New Stories of Mystery and Crime by Women Writers by Livia Llewellyn (Akashic Books)
- "The Passenger," from Sydney Noir by Kirsten Tranter (Akashic Books)
- "Home at Last," from Die Behind the Wheel: Crime Fiction Inspired by the Music of Steely Dan by Sam Wiebe (Down & Out Books)
- "Brother's Keeper," from Ellery Queen Mystery Magazine by Dave Zeltserman (Dell Magazine)
Good luck to all!
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